Why am I singing flat?

What are the main reasons people sing flat?

Developing singing skills is just like learning any instrument. To be able to sing on pitch and not sound flat you need to develop your singing technique,

be able to hear whether you are singing on pitch or sounding flat, and you require the confidence, energy and songs suitable for you to sing.

Poor breath support

Without steady airflow, the vocal folds don’t vibrate efficiently, causing notes to sag below the correct pitch.

Signs:

  • Notes start in tune but drift flat.
  • Long notes get lower as they continue.
  • The voice sounds weak or breathy.

Making sure you practice regularly to build good breath support is very important.

Ear training

A lack of ear training can have a lot to do with singing flat.

Sometimes the singer simply isn’t hearing the pitch accurately enough to match or maintain it.

Signs:

  • Difficulty matching a single note.
  • Trouble noticing when singing is out of tune.
  • Better pitch when singing with others than alone.

Your singing is boring

Flat singing can happen when the singer isn’t fully committing to the sound.

This is common with shy or inexperienced singers that aren’t adding enough energy, even when singing softly.

Signs:

  • Singing quietly or hesitantly.
  • Pitch improves when singing confidently.
  • Better tuning during energetic songs.

Song range is too challenging

Trying to sing notes that are too low or too high can make it difficult to maintain accurate pitch.

Signs:

  • Lower notes lose resonance and go flat.
  • High notes become strained and drop in pitch.
  • The voice feels uncomfortable.

Born with talent?

You often hear the argument about whether being naturally gifted or hard work brings success. I believe that people are born with a predisposition towards certain things. I have always known that I would be a teacher. There is no way I would ever consider doing something like nursing! That is the way I am.
And the same is true for other passions in life. I love singing, but I would not be interested in become a downhill speed skier. Watching them race at the Winter Olympics fills me with awe, but no desire to try it.
I came across a video from vocal coach Cheryl Porter.

She is reviewing an audition by Aretha Franklin’s granddaughter. The assumption by many is because she is related to Aretha Franklin, she should be a fantastic singer.  Now, she is only 15 years old, and from her performance it appears she has not had a lot of performing opportunities. She has a good voice, but as Cheryl is pointing out, although there is a good voice, there are technical issues that need to be worked on.  She has not put in enough hours to improve her singing technique.

Here is a recording of Aretha at only 14 years of age. Aretha regularly performed at her fathers church, so she had already had numerous opportunities to perform. Aretha was well practised at performing, and you can hear she had already been working very hard for many years to develop and improve her voice.
I strongly believe that we have a predisposition towards certain skills and talents, however you still have to put in the hard work to experience any success.

Here is Aretha Franklin still performing when she was 76 years old at the Kennedy Centre Honors in 2015

Exhalation on a hiss

This breathing exercise is to help develop better breath control for good, well supported singing. Make sure the body is relaxed, the shoulders down, and you are breathing low in the body. Take a good breath and then hiss for as long as you can. Aim to keep the air flow steady, don’t let it shudder, and have a feeling of the air escaping slowly, don’t let the breath go all at once. Keep a steady, firm exhalation. Take a low breath, start the timer and see how long you can exhale for on a steady hiss. Do this regularly and keep a record of your time. See how much you can improve over a month.

 

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Breathing to sing

Happy New Year! I am posting singing exercises for you to get back into singing if you have had a break over the holidays. This week I will be focusing on breathing exercises. The first exercise is about keeping a steady exhalation for as long as you can. Practice this daily for a week to see how much you can improve.

Breathing exercise one: How long can you hiss out for?

The Challenges of Performing

ANZAC DAY 2021

I had the joy and honour of singing at three Anzac Day Services on Sunday. It has been a long time since I have sung in front of an audience and it was wonderful to be able to sing for people again. There were good crowds at all the services and I had a lovely response, with many saying how much they enjoyed my singing.  I believe it is such an honour to be able to sing at an Anzac Day ceremony and to be able to sing at three was very special.

The first ceremony was actually held at the local cemetery.  In my town we have quite a beautiful cemetery, with beautiful gardens, a recently renovated band rotunda and a substantial newly built memorial in memory of returned service men and women who are buried at the cemetery. This year was the first year since 1946 that an ANZAC day ceremony was held at the cemetery. This is because the town cenotaph was built after the second world war and the yearly ceremonies are now held there. 

THE LAST POST

One thing I was able to observe in detail was the bugler at each ceremony. There was a different person at each ceremony and they all had a very different experience performing. One of the buglers was a mature person who had been performing for many years and was very experienced at performing. One was still quite a young person but had played for many Anzac Day ceremonies, even though they were early on in their performing career. The third was a young person, had been playing for a few years, but had not had experience playing to a crowd. It was interesting to note that they had all obviously practiced for the event and they could all play the last post, but they had very different experiences. None of them played it perfectly, but the mature person and the very young person continued on in spite of any little slips they made. 

The person who had never performed for an audience before did get through the performance, however I could see very clearly that they were extremely nervous and tension had built up in their body, and they simply could not get enough air in to support the notes fully.  They are to congratulated on their performance, performing for the first time and in spite of being nervous, they did get through the last post and overall it was played correctly. It was sad to see their response afterwards. I didn't get a chance to speak to them, but if I could have, I would have told them how well they played for a first performance.  

PERFORMANCES ARE OPPORTUNITIES TO LEARN

We can be so harsh on ourselves for performances that don't go as well as we would like. Especially when we are first beginning to perform for an audience. As I said previously, none of the performances were perfect, but the people who had performed previously did not worry too much about perfection, shrugged off a missed note and kept playing.  It is so important that we practice performing, getting used to being in the stressful situation of standing in front of an audience and playing or singing. I have been performing for many years now, and although I can still get nervous, I have performed enough times to understand how my body works and I can prepare and be aware of what I am doing, relaxing and breathing well for good breath support. That does not mean my performances are always perfect.  Usually I go off stage thinking about what I can do better, but generally I am pretty happy with what I have done. The audience wants you to do well, and are for the most part very supportive, so we shouldn't be afraid to perform for others. Perfection is hard to achieve, but we are often hard on ourselves when we don't achieve it.

So get out there and perform.  A LOT!

Seasonal allergies and Singing

sneezingSpring has sprung!  Anyway it has for us in Australia.  And with it all the pollens, grass etc  that brings on hayfever.  This is never good for singers as the post nasal drip that occurs directly affects the vocal chords.

Sometimes it seems almost impossible for singers to perform at their best during this time of year, however there are a number of solutions that can be considered to ease the problem.

 

There is some good advice from the Osborne head and neck institute you can read at this link:

Tips for a healthy and powerful voice

Or you might like to watch the video below that I found on you tube (with thanks to Mark Baxter):

 

 

Wanting to work with Mary to achieve the voice you have always dreamed of?

Mary has in person and online lessons.

Click here to register your details and Mary will contact you to see if she might be able to help.

What’s one thing to remember to ease performance anxiety?

With a cafe concert fast approaching, I thought it valuable to discuss performance anxiety.
It is always nerve wracking to get up and perform, I have been doing it for years and I still get nervous.
In the video below I talk about one thing you can do to help with those nerves.  It sounds a bit obvious but we often forget to do this.
Please feel free to comment or ask questions.